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It is often said that we no longer have an addressee for our political demands. We have each other. What we can no longer get from the state, the party, the union, the boss, we ask for from one another. And we provide. With examples of unexpected collectors and serendipitous outcomes, Shaw investigates the obscure desires that shape art collecting and the public goodwill that results from it.
Bik Van der Pol Ed. Her texts record specters and realities of culture, migration, and displacement, compounding the vagaries of rhetoric and poetics with those of personal history and criticism. Andrew Goodhouse Ed. When Is the Digital in Architecture? When is the digital in architecture? What are the conditions that led architects to integrate digital tools into their practices?
There are eight million stories of the origins of the digital in architecture, and this book brings together fourteen of them. The arguments address specific changes in ways of thinking about architecture, building, and cities, as well as the shifts in technology that resulted from these changes, marking both a capstone of Archaeology of the Digital and the start of an investigation into other beginnings of the digital in architecture.
These operative terms situate his work between forms of linguistic description and the history of reflexive material practices in art. Rather, they are shaped by always-evolving social, institutional, and physical relations. At that moment, human-related phenomenological analysis clashes with the media-archaeological close reading of the technological event, in an impossible effort to let the temporeal articulate itself. The Submarine Horizons of Contemporaneity It is said that we know more about far-away galaxies than we do about the bottom of the oceans on earth.
One could say something similar about our relationship to the future and to the contemporary. Searching for the present is a bit like deep sea diving. How to dive without drowning in the turbulent waters of now? How to find and share sources of illumination in submarine darkness? When to surface and how to ride a strong current?
These are some of the questions that Raqs Media Collective address in their account of contemporaneity, guided by a motley collection of figures lost and found in the turbulence of their practice. Projected onto monumental screens in the Boiler House at the KINDL — Centre for Contemporary Art in Berlin from late summer to spring , Olympia aims to exceed the human ability to imagine time, thus radically surpassing our own experience of the world.
Nowadays, a large part of it is based on producing and consuming vast amounts of clothing. Collections are manufactured at dizzying speeds and sold for extremely low or incredibly high prices. This fast-changing business is hard to break into, or out of. How, as a designer, do you deal with this system and come up with innovative ways of designing, producing, promoting, financing, and selling? Stephan Dillemuth Schall und Rauch.
The exhibition presented newly conceived works alongside works from the s exhibited for the first time. It gathers more than twenty projects realized between and , including rarely viewed early works that help us see her most recent production from a new perspective. In response to the increasing transformation of public spaces into functional areas toward which individuals are guided to fulfill a given activity, the two artists call upon citizens to become uchronists, to infiltrate public life with physical modules coming from daily behaviors, synchronized and adjusted according to context.
xn----htbybfcxh3h.xn--p1ai/components/map8.php Margarida Mendes Ed. Matter Fictions Matter Fictions addresses fiction as a mode of producing reality as well as the significance of matter—animal, vegetable, mineral, hybrid—beyond binaries. Here, fact and fiction press up against each other and the conflict of one North is reinscribed in another.
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This extensive volume loosely catalogues four hundred and twenty works from this series at a one-to-one scale, in precisely rendered photographs. Conceived as a field of production and mutual learning, Green light works with refugees, asylum seekers, migrants, and NGOs to fabricate an unlimited edition of fully functional lamps: geometric, stackable modules made from recyclable materials and fitted with a welcoming green light.
Providing fundraising and education opportunities, Green light workshops first took place in Vienna in , and have since been hosted at the Moody Center for the Arts, Houston, and the 57th Venice Biennale. As experience becomes fact, the past turns into objective matter. His paintings and videos are as much investigations of the processes shaping the narration of events in his home country of Albania as they are reflections on the nature of the image as such. Transcending the limits of our planet, data collection has become a fundamental tool with which to map the earth and beyond.
Launched as the online journal of the biennial, the reader pairs texts or image-based contributions, allowing for a sense of tension and affinity to develop in the feedback loop of the two voices. Relationships around the artwork as site of evidence and testimony are thus reoriented. The multidimensional readings are not restricted to the active apparatus of law and discipline, but instead seek to unravel the synchronies of our times—the mesh of injustice in our midst. The presentation of some fifty works is not necessarily categorically or linearly organized; rather, it appears completely free of hierarchy, with photographic styles, subjects, and techniques displayed on equal footing.
First Things First emphasizes a juxtapositional approach, a dynamic and free arrangement of various subjects and styles. Through multiple exchanges between members of thirty-two Huni Kuin communities in Brazil, this publication brings together threads from anthropology, art, and science that are interwoven, like the movement of a serpent, with essay contributions, oral histories, drawings, and traditional song. At the heart of this collection are three provocative texts extracted from important artworks by Rosen, offered here as genre-defying literature at the intersection between reality and fiction, speculative narrative and historical-political critique, humor and eroticism.
Omar Berrada Ed. This publication is conceived as a parallel exhibition in book form, and contains original interventions by and in collaboration with the artists. Armen Avanessian Overwrite Ethics of Knowledge—Poetics of Existence The original ideals of the Enlightenment research university and the rise of aesthetics in modernity have been decisive in shaping neoliberal capitalism. How, then, might we endeavor to change the academic status quo?
Related CityU Press: Chinas Hong Kong Transformed—Retrospect and Prospects Beyond the First Decade
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